Thursday, December 12, 2013

Fontroversy

Typeface provides an avenue of creativity and design choice for both professionals of art design or amateurs alike. Many wonder when choosing: which is the best font to use? There are many factors to consider when deciding upon the right font for a particular project. One of the leading questions is whether or not serif is better than sans-serif, or does it even matter?

In his article “Digital Designs,” Steve Barth examines the importance fonts have. He explains that a UK airplane headed for Glasgow, Scotland instead flew to Cardiff, Wales upon “misreading the computer screen because the text displayed was too small.”

He further states it was too hard to read the difference between the codes for Glasgow “EGPF” and Cardiff “EGFF.” This is only one instance of the problems that using the wrong font can pose in daily life.

            The Defense Institute of Physiology and Allied Sciences in India conducted a test to see which fonts were easier to read on-screen. Forty youths were asked to participate, all with 20/20 vision.

         They were given eighteen identical passages, all the same reading level, to observe how reading changed with differing fonts and sizes. They recorded how long it took them to read each passage and then asked participants questions about which they found easier to read and why.

        The fonts in question were as follows: Times New Roman, Georgia, Courier New, Arial, Verdana, and Tahoma. These were presented in three different sizes: 12, 13, and 14.

          It was found that Serif fonts were easier to read than Sans regardless of the three sizes. Courier New 14, a serif font, was recorded as the fastest to read of all the possible combinations. Second place was Arial 14, which is a sans-serif font.

Figure 1: A chart of font preferences. Photo: Google Images.

           In another survey conducted, cited by Elizabeth Russell-Minda, stated that “65% of the participants found 14-point Universe font [san-serif] to be the most legible, compared to Century Schoolbook [serif].” This contrast of results between the two tests throws confusion and further argument into the Serif/San war.

             It really seems to come to down to the writer’s choice of which typeface is the best to use for web design. The argument of serif or san-serif seems almost invalid. It seems decision-making should place more emphasis on x-height, thickness, and font size of individual letters and not whether a typeface has serifs. In her article, “Typography For All,” Lesa Snider recommends using Verdana as a Web typeface because “its larger x-height makes it easier to read.”

          There is still a fairly even split between the two font types. It appears to come down to preference mainly, but there still seems to be a general partiality for serif fonts until they get too small, then the preference appears to be sans-serif. Figure 1 shows a chart of popular typefaces among users.

         There may not be an absolute truth to which typographic style is the best for different media, but there are definitely methods to determining which to use. San-serif is easier to read when small, but serif is seen as the more aesthetically pleasing.

To better understand what serifs are click this image.